A lot of World War II movies are built around heroism, sacrifice, and the broader sweep of history. Fury has some of that in it, sure, but what it really wants you to feel is mud, exhaustion, terror, and the sense that everyone involved is hanging on by a thread. David Ayer’s 2014 war film is ugly on purpose, and that’s why it works. It isn’t interested in making combat look noble. It wants it to feel like hell. Netflix subscribers won’t have much longer to watch it there.
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