Kristoffer Borgli's The Drama sits somewhere between much of Lars von Trier's output and Sean Price Williams's The Sweet East on the artful edgelord spectrum; albeit closer to the latter's live action South Park than the sometimes incisive work of the former. The Drama is a fantastically constructed film that, for the most part, threads a delicate needle of unnerving and broadly funny; largely sidestepping cringe comedy to create something more unique, and certainly more affecting. While the opening scenes almost lull viewers into a state of knowing comfort with the trappings of a romantic comedy (Nancy Meyers interiors and cultural, high-paying jobs included), surprisingly sharp editing, Daniel Pemberton's prickly woodwind score, and some bold sound design choices hint at something darker looming. During a...
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