There are some sci-fi movies that age, and then there are the ones that somehow get sharper every single year. Ex Machina is very much the second kind. Alex Garland’s directorial debut still feels sleek, unsettling, and way too relevant, even more than a decade after it first landed. It’s the kind of film people keep rediscovering because the ideas haven’t gone stale, the performances still hit, and the whole thing remains just a little bit unnerving in the best possible way.
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