Pet Shop Boys review – no hits? No problem on first night of a masterful obscurities run

Electric Ballroom, London
The era-defining duo’s ultras are suitably spoiled in the first of this intimate five-day run, showered with rarities that put a different spin on their well-known history

‘Tonight …” says Neil Tennant, with a suave pause, “no hits!” The crowd roars. “B-sides?” he teases. “Album tracks! And what we’re calling – although really it’s both of those – fan favourites.” It is a rare gig when the singer of a history-defining pop band can promise that no one will be hearing some of the best songs of all time tonight – West End Girls, Always on My Mind, Rent, to name some of several dozen – and get a hero’s welcome. But Pet Shop Boys have been on their Dreamworld greatest hits tour since 2022, one that’s barely even made room for their excellent and underrated 2024 album Nonetheless on the set list, let alone many wildcards. The Pet Shop Boys casual has been lavishly fatted in recent years. The Pet Shop Boys ultra, however, has been a little parched.

It’s something this five-day run of intimate shows at Camden’s Electric Ballroom seeks to remedy, drawing from the band’s margins to promote a new tome on their highly intentional visual history: in typical one-word fashion, the tour is called Obscure. Tennant and synths foil Chris Lowe announced beforehand that they had rehearsed 35 possible songs from their 42-year run, but their enduring commitment to the single format, with its considered B-sides and remixes, makes the possibilities endless: one fan compiled a pre-game playlist of 226 “B-sides and non-singles”, and doubted even then that it was comprehensive. Tennant has a tray containing the lyrics – fair play, given that two songs tonight have never been played before, while others are getting their first trip out of the cupboard in decades.