Original Recipe Magical Realism

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It’s been raining for nearly five years, and yes, a lady did just ascend into heaven while folding her laundry. It’s just another day in Macondo, the fictional setting of Gabriel García Márquez’s One Hundred Years of Solitude.

In a recent episode of Book Riot’s newest podcast, Zero to Well Read, Rebecca and Jeff explore the novel that made magical realism a global phenomenon. They talk about what magical realism is (and isn’t), the rise and fall of the Buendía family, the fictional town of Macondo as allegories for real-world history and political events, and why the book is so hard to summarize. Along the way, they offer tips for how to read One Hundred Years of Solitude without getting lost and reflect on why surrendering to its chaos is part of the experience.

If you haven’t tuned in to the podcast yet, it’s sort of an English class/book club hybrid where Book Riot OGs Jeff and Rebecca tell you everything you need to know about the books you wish you’d read. Each week, I put together a companion newsletter for the show, a roundup of fun facts, trivia, quotes from the episode, literary side quests, and more. You can check out the one for One Hundred Years of Solitude below.

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Email Jeff and Rebecca at [email protected]


Two Truths and a Lie

Can you guess which of these are facts and which are fiction? Answer to follow at the end.

Before he became a journalist and novelist, Gabriel Garcia Márquez was studying to be a doctor. Márquez got popped in the face by fellow Latin American Nobel laureate Mario Vargas Llosa at a movie screening in public over a lady friend. In 1977, García Márquez became chummy with Fidel Castro, who proofread his manuscripts before they were published.

Out-of-Context Show Quotes

In what’s probably my favorite section of this newsletter, I pull a selection of standout quotes from the episode. They range from mildly hinged to wildly unhinged. Here we go!

“So even in the face of a miracle, military and authoritarian logic does not care. It has its own ends, which is to control, dominate, and seek power.” TOO REAL, JEFF AND REBECCA. TOO REAL. “Did Gabriel Garcia Marquez invent horseshoe theory?” “Did Marquez invent edible THC-infused drinking chocolates?” “That’s a whole graduate thesis right there: mortuary rights and Gabriel Garcia’s 100 Years of Solitude.” “Is this the horniest book in the modern canon?”

Literary Tourism

Colombia is a fascinating place to visit on its own, it’s high on my personal bucket list. But if you’re looking for a bookish reason to book that flight, you can take a pilgrimage to discover the world of 100 Years of Solitude. It’s not a cheap date at just under $4,800 per person, but looks well worth the price of admission. You’ll get to experience Bogota, Santa Marta, Cartagena, and more of the places that shaped and inspired Garcia Márquez through their cafés, libraries, beaches, botanical gardens, and more.

Extra Credit Reading

This episode was recorded over two months ago, before the United States military captured Venezuelan President Nicolás Maduro and his wife on January 3. This is a complex issue and the latest example in a long, long history of U.S. intervention (and destabilization) in Latin America, one that feels particularly relevant given the themes of anti-colonialism and political violence in 100 Years of Solitude. Here are some sources to learn more.

NPR: U.S. interventions in Latin America and the Caribbean haven’t always gone as planned Al Jazeera: A timeline of CIA operations in Latin America Book: Open Veins of Latin America: Five Centuries of the Pillage of a Continent by Eduardo Galeano

Readalikes and Such

You can listen to the Book Riot Podcast episode on magical realism (linked below) for a more robust list of magical realism classics as well as a whole bunch of recs for modern reads in the tradition. Here’s a small sample:

cover of Like Water for Chocolate by Laura Esquivel

Like Water for Chocolate by Laura Esquivel

Tita de La Garza’s lot in life as the youngest daughter in her family is to care for its tyrannical matriarch, Mama Elena. She falls in love with a boy who loves her too, but Mama Elena forbids their union. The solution she offers? He can marry Tita’s sister instead. Surely this plan has no flaws! Oh, minor detail: everything Tita feels—from profound sadness to intense arousal—makes it into the food she eats.

Book cover of The House of the Spirits by Isabel Allende, showing a pattern of flowers in orange print

The House of the Spirits by Isabel Allende

This was the great Isabel Allende’s debut, a novel set in an unnamed South American country that resembles 20th-century Chile. It follows four generations of the Trueba family as they navigate tragedy, upheaval, and uncertainty amid political turmoil. Centered on the clairvoyant Clara and her possessive husband Esteban, it also includes characters that strongly resemble military dictator Augusto Pinochet and poet Pablo Neruda.

cover of Love in the Time of Cholera by Gabriel García Márquez, showing a parrot hanging upside down at the top of the page and a eye peering from behind a palm frond at the bottom

Love in the Time of Cholera by Gabriel Garcia Márquez

If you like García Márquez, read more Garcia Márquez! This is another GGM classic, the story of a man who waits decades to reunite with his first love after she marries someone else, a prominent doctor fighting to stop cholera. Delayed gratification in the (very) long game of love is a theme in a lot of Latin American lit, which might sound like a real bummer! But it’s an homage to the transformative power of enduring love.

Other Supplemental Reading

PBS Crash Course on Latin American Lit – Host Curly Velasquez distills the history of Latin American literature into bite-sized portions in this super accessible video series, including the birth of the magical realism movement and the impact of Gabriel Garcia Márquez Here’s our recent Book Riot podcast episode on magical realism, hosted by yours truly, where I refer to GGM as the daddy of magical reaIism and immediately regret it. BBC explores how 100 Years of Solitude redefined Latin America: “[H]e pulled from different sources to create an alternate, hyperbolic birth of Latin American culture. And by doing so, he reinterpreted its nature.” GGM’s Nobel Prize lecture in 1982 is a banger start to finish. I encourage you to read and/or listen to the whole thing, but here’s a sample of the type of time he was on: “Latin America neither wants, nor has any reason, to be a pawn without a will of its own; nor is it merely wishful thinking that its quest for independence and originality should become a Western aspiration. …But many European leaders and thinkers have thought so, with the childishness of old-timers who have forgotten the fruitful excess of their youth as if it were impossible to find another destiny than to live at the mercy of the two great masters of the world. This, my friends, is the very scale of our solitude.” Tell ’em, Gabo!

Adaptations

100 Years of Solitude took a good long while to be adapted for at least a couple of reasons. For one, it has famously been considered impossible to adapt based on the content and structure. More importantly, GGM didn’t want it to be adapted, and especially not in a language other than Spanish. Pero ….those wishes weren’t honored once he’d passed away: once you’re dead, someone’s gotta get this bread, I guess. Ten years after Garcia Márquez’s death, Netflix released a two-part series starring Marco González, Susana Morales, Claudio Cataño, Viña Machado, and more (this book has so many characters). We got the eight-episode first half in 2024, and the second half is dropping this year.

I admittedly have not watched it; visually, it looks like a real stunner, but the content is quite heavy and the reviews are mixed. But in the name of supporting diverse storytelling and encouraging the folks who greenlight these projects to keep on putting their money behind them, I will tune in and hope the ghost of Tio Gabi doesn’t knock the remote out of my hand when I do.

Read more about why it took decades to bring this book’s adaptation to the screen in this piece by Vanity Fair.  

Did Ya Know?

García Márquez praised the work of Mexican novelist Juan Rulfo in a forward to a newer translation of Pedro Páramo wherein he described his time living in Mexico City. He found himself at a crossroads in his career when a friend put the book in his hands, and he apparently could not sleep until he’d read it twice. Not since Kafka had he been so affected by a work of literary genius. 

Speaking of inspiration, I love what GGM has to say about his abuela, Tranquilina Iguarán Cotes, whose storytelling style primed him for a storied career in blurring the line between fact and fiction. She apparently delivered her cuentos with an impressively deadpan tone, so much so that our dear Gabo often couldn’t tell when she was spinning a yarn or telling the truth. I’m always here for abuela stories, and this is a good one.

*Answer: Before he became a journalist and novelist, Gabriel Garcia Márquez was studying to be a lawyer, not a doctor. That’s what his parents wanted him to be, but he chose books instead (#relatablecontent)

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