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Jane Austen is on all the screens this season, as a new adaptation of Sense and Sensibility hits theaters October 16, while Pride and Prejudice lands on Netflix in December.
Daisy Edgar-Jones stars as Sense and Sensibilityâs Elinor Dashwood.
Emma Corrin, Jack Lowden, and Olivia Colman anchor the upcoming Pride & Prejudice series.
The first reviews of Sense and Sensibility are rolling out, and, well, letâs just say itâs hard to live up to the 1995 version.
Georgia Oakleyâs adaptation of Jane Austenâs timeless, beloved 1811 novel is enchanting and beautiful, just as it should be. Itâs also, in its earthy and humorous way, intensely riveting, which is also as it should be. â William Bibbiani, The Wrap
This turns out to be a more downbeat, ruminative version, happening in much cloudier weather than 30 years ago and without the sugar-rush final wedding scene. The mood is cooler, but interestingly austere, sober and thoughtful. There are also some strange casting decisions. âPeter Bradshaw, The Guardian
Sense and Sensibility is a book with its fair share of melancholyâŠBut I canât recall another adaptation, either for film or television, that made the story so overwhelmingly morose and its protagonists such a joyless pairâŠThe emphasis on naturalism perhaps removes some of the emotional barriers for young contemporary audiences, but it also gives the movie a low-energy feel and a drab look, with flat light and a dreary color palette. â David Rooney, The Hollywood Reporter
These loversâ quarrels unfold with a touching sincerity to Roger Goulaâs wistful score, though Oakleyâs more grounded drama also feels oddly safe, with a seriousness of tone that strips away some of the wit and comedy that makes Austenâs work, well, Austenesque. And though players like Edgar-Jones and MacKay make for perfectly tender lovebirds, they donât exactly breathe new life into their characters. âBeatrice Loayza, Variety
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