Arguably Christopher Nolan's best film, The Prestige returns to the biggest of screens, blown up from its gorgeous 35mm photography to screen via 70mm and IMAX presentations, just over twenty years after its original release in 2006. The film has been long saddled with bland, quite poor marketing and key art. It was released between Nolan's rebooting of the Batman franchise with Batman Begins, and his masterpiece, The Dark Knight, and oddly against another movie about magic and magicians at the tail end of the Victorian Era, the inferior and rightly forgotten The Illusionist (not to be further confused with Sylvain Chomet's amazing animated film of the same name that would follow a few years later). The below design, a misty Colorado Springs night with Nikola Tesla's...
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