As someone who typically goes to the movies on a Sunday night for the 10:30pm show, and typically to go watch the stranger side of cinema, I am often given a ‘private screening’ from the local Cineplex chain. Because, seriously, who else living in the suburbs would go see Terrence Malick's The New World, Paul Cox's Innocence, Renny Harlin's Deep Blue Sea, or Bruce McDonald's Pontypool at that odd hour? In short, I love being in a movie auditorium alone and having the place all to myself for just about any film. Clearly, I am not at all alone in this aspect, as Ueda Makoto, the writer of charming and inventive time loop films, Beyond the Infinite Two Minutes and River, sets his directorial debut...
[Read the whole post on screenanarchy.com...]
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