It seems strange to be writing a review for a film that is over 20 years old, about another film that few have seen. Given its rogue construction, and unorthodox structure and style, Claire’s Hat has been screened publicly fewer than five times in the 24 years since its completion. The agreement with Hungarian-Canadian mega-producer of the film, and Toronto big-wig, Robert Lantos (ExistenZ, Being Julia, Johnny Mnemonic, The Sweet Hereafter, and of course, Picture Claire) is that director Bruce McDonald has to not only ask permission every time to show it, but also be present in the room during any screening. I remember being at the Toronto International Film Festival premiere of McDonald’s Canadian caper film, Picture Claire, back in the day...
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