A man should have his house in order. Carroll’s house is most definitely not in order. He appears to be living in a burned out shell of a structure with the roof about to fall down on him. Seeing how nobody else in Bagworm acknowledges this fact, it is probably a metaphor. But it is a good one in a film that wears its images and ideas loudly on its dirty sleeve. Carroll has issues with women. He is seen early in the film thoughtlessly speed-swiping right on Tinder. Later, he unpleasantly scolds the date that he does land for what she orders at the restaurant. He doctors photos of himself, violates privacy boundaries, and is a compulsive liar. He even steals his...
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