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Itās been two years since we first learned that Anne Hathaway won the rights to Yesteryear, Caro Claire Burkeās runaway 2026 bestseller about a tradwife influencer who wakes up one day in the 19th century.
Hathaway spoke about the adaptation for the first time at a recent film premiere, mainly expressing her love for the book and her excitement to make a film that does it justice.Ā
I was admittedly let down by the big reveal of Yesteryear, but I am forever interested in the project of adaptation. My interest is piqued by this film for the challenges this one poses, and I have some questions about the movie and how itās gonna get made.Ā
š¬ Whatās the casting situation? No casting announcements have been confirmed beyond Hathaway as Natalie, but Burke has done some light fancasting in interviews.
She sees a lesser-known Jesse Plemons type for Caleb, and someone like Woody Harrelson playing his father, Doug. I see the Plemons vision, but I donāt know that Harrelson has the scary edge of a Doug for me. Maybe thatās because heās Billy from White Men Canāt Jump in my mind (Hi, Iām middle-aged).
The role of Old Caleb is the one Iām especially curious about. I saw some online fancasting of Michael Fassbender here, and I want to see it for you dreamers! But itās hard to get from a Plemons type to Fassy on the vibe front. Ā
š§ How will the film pull off this much interiority? Burke has said from the outset that the project will not be a beat-for-beat reimagining of her book, since two+ hours of a tradwife influencerās inner monologue doth not an interesting film make. Iād also argue thatās also just not the point of an adaptation, but I digress.
If weāre getting out of Natalieās head, I would love for the film to go deeper or more cutting in its satire where the book went shallow.
One of my major critiques of Yesteryear is that it had a lot to say about a lot of things, but never very deeply. Maybe some different POV will help give us more show and less tell.
š What about that ending? Listen, Iāve seen The Odyssey. I know what cinematic magic is possible with some lighting, creative angles, and a dream (looking at you, Circe). But I truly do wonder how the reveal in this movie, and keeping up the overall conceit, is going to go.
The ending is the sort of thing that barely worked for me as a reader, and what disbelief I could suspend comes down to the fact that the only visual I had was the one in my head.
Keeping the twist under wraps on film is a whole different ball game. But hey, with a big enough budget, skyās the limit.
š§ Listen to our Patreon book club episode of Yesteryear on The Book Riot Podcast. āVD
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