Anyma Brings Cinematic Closure to Bold Artistic Vision in New Album, "The End of Genesys"

Anyma collapses the boundary between consciousness and code in his third album, The End Of Genesys, channeling transhumanist motifs and cinematic intensity through an ambitious collection of 15 tracks.

A dark horse in this year's Grammy conversation, The End Of Genesys distills years of thematic exploration into one cohesive body of work rooted in identity, transformation and the ever-fragile line between humans and machines.

The album completes a trilogy from the Italian techno superstar, whose recent Vegas Sphere residency established him as the record-breaking venue's first-ever electronic headliner.

Anyma performing at the Vegas Sphere.

c/o Anyma

"Lucente" opens the album in a haze of ambient textures before "Voices In My Head" picks up the pace, its eerie looping vocal drawing us further into a hypnotic beat co-produced with Argy and Son of Son. "Hypnotized" offers a clearer break in tone as Ellie Goulding's familiar voice leads a precise, restrained arrangement that favors space over spectacle.

The flow of The End Of Genesys is deliberate, though rarely predictable. Anyma teams up with Grimes for "Taratata," a chaotic and shape-shifting track full of fractured textures and rhythmic snaps that keep the ground moving. Then there's "Neverland (From Japan)," a fan-favorite from the DJ's blockbuster Sphere concerts that delivers a particularly high-energy, edgy moment in the album.

On the tension-fueled "Fortuna," Sevdaliza’s vocals slip between tight percussion and sublime synths before "Atmosphere" follows with rolling energy that never relents. "Work," a collaboration with hip-hop breakout Yeat, then breaks the pattern completely with gritty, industrial production in one of the album's most striking shifts.

The album's titular track, "The End Of Genesys," serves as its centerpiece, threading key themes through layered synths and a visceral rhythm. "Entropy" is another highlight, bringing together Anyma, REZZ and fknsyd for a pressurized moment. The latter's languid vocals float with a ghostly cadence while REZZ adds her signature distortion.

Another surefire standout is "Human Now," the most emotionally charged track on the album. Stentorian vocals from Empire of the Sun's Luke Steele introduce a warm clarity the record hadn't breached until now, adding a sense of melodic grandeur that moonlights as the apex of Anyma's merging of humanity and technology.

Framed as both a conclusion and a turning point, The End Of Genesys brings that narrative full circle while delivering Anyma's most impactful work to date. You can listen to the new album below and find it on streaming platforms here.

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